Martin Scorsese - Wikipedia. Martin Charles Scorsese. Scorsese's body of work addresses such themes as Sicilian- American identity, Roman Catholic concepts of guilt and redemption. Many of his films are also notable for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinema history. In 1. 99. 0, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2. World Cinema Foundation. L'Autobiographie de Miss Jane Pittman a remport. Festival Black Movie Summer 2016 . The Autobiography of Miss Jane Pittman. In February, 1962, as the civil rights movement reaches Bayonne, Louisiana, a New York journalist arrives to interview Jane. L’autobiographie de Miss Jane Pittman Film TV 1974 Soundstage . Quincy Jones sur l’ Internet Movie Database. The Autobiography of Miss Jane Pittman (TV Movie 1974). The Autobiography of Miss Jane Pittman (1974 TV Movie). Autobiographie de Jane Pittman. Elizabeth Taylor Cartier diamants rubis collier Mike Todd exposition El Arte de Cartier Madrid www.vogue.fr/joaillerie/news. The Autobiography of Miss Jane Pittman is a 1971 novel by Ernest J. The novel was dramatized in a TV movie in 1974, starring Cicely Tyson. Michael Jackson, Valerie Perrine, Jane. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and DGA Awards. He has directed landmark films such as the crime film Mean Streets (1. Taxi Driver (1. 97. Raging Bull (1. 98. The King of Comedy (1. Goodfellas (1. 99. Casino (1. 99. 5), all of which he collaborated on with actor and close friend Robert De Niro. His work in television includes the pilot episode of the HBO series Boardwalk Empire and Vinyl, the latter of which he also co- created. He won the Academy Award for Best Director for the crime drama The Departed (2. With eight Best Director nominations, he is the most nominated living director, and is tied with Billy Wilder for the second most nominations overall. Early life. His family moved to the Little Italy section of Manhattan before he started school. His father was a clothes presser and an actor, and his mother was a seamstress and an actress. Scorsese was raised in a devoutly Catholic environment. As a teenager in the Bronx, Scorsese frequently rented Powell and Pressburger's The Tales of Hoffmann (1. Scorsese was one of only two people who regularly rented that reel. The other was future Night Of The Living Dead director George A. Scorsese also developed an admiration for neorealist cinema at this time. He recounted its influence in a documentary on Italian neorealism, and commented on how Bicycle Thieves alongside Pais. In his documentary, Il Mio Viaggio in Italia, Scorsese noted that the Sicilian episode of Roberto Rossellini's Pais. He went on to earn his M. F. A. His most famous short of the period is the darkly comic The Big Shave (1. Peter Bernuth. The film is an indictment of America's involvement in Vietnam, suggested by its alternative title Viet '6. Manoogian. In 1. 96. Scorsese made his first feature- length film, the black and white I Call First, which was later retitled Who's That Knocking at My Door with his fellow students actor Harvey Keitel and editor Thelma Schoonmaker, both of whom were to become long- term collaborators. This film was intended to be the first of Scorsese's semiautobiographical J. Trilogy, which also would have included a later film, Mean Streets. Scorsese became friends with the influential . During this period he worked as the assistant director and one of the editors on the documentary Woodstock (1. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects. Championed by influential film critic Pauline Kael, Mean Streets was a breakthrough for Scorsese, De Niro, and Keitel. By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of Mean Streets was actually shot in Los Angeles), rapid- fire editing and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street- level direction owed a debt to directors Cassavetes, Samuel Fuller and early Jean- Luc Godard. Although well regarded, the film remains an anomaly in the director's early career as it focuses on a central female character. Returning to Little Italy to explore his ethnic roots, Scorsese next came up with Italianamerican, a documentary featuring his parents Charles and Catherine Scorsese. Taxi Driver followed in 1. The film established Scorsese as an accomplished filmmaker and also brought attention to cinematographer Michael Chapman, whose style tends towards high contrasts, strong colors, and complex camera movements. The film starred Robert De Niro as the troubled and psychotic Travis Bickle. The film co- starred Jodie Foster in a highly controversial role as an underage prostitute, and Harvey Keitel as her pimp, Matthew, called . Taxi Driver also marked the start of a series of collaborations between Scorsese and writer Paul Schrader, whose influences included the diary of would- be assassin Arthur Bremer and Pickpocket, a film by the French director Robert Bresson. He subsequently blamed his act on his obsession with Jodie Foster's Taxi Driver character (in the film, De Niro's character, Travis Bickle, makes an assassination attempt on a senator). This tribute to Scorsese's home town and the classic Hollywood musical was a box- office failure. The film was the director's third collaboration with Robert De Niro, co- starring with Liza Minnelli. The film is best remembered today for the title theme song, which was popularized by Frank Sinatra. Although possessing Scorsese's usual visual panache and stylistic bravura, many critics felt its enclosed studio- bound atmosphere left it leaden in comparison with his earlier work. Despite its weak reception, the film is positively regarded by some critics. Richard Brody in The New Yorker wrote: . Remarkably, his backward- looking tribute to the golden age of musicals and noirish romantic melodramas turned out to be one of his most freewheeling and personal films. By this stage the director had also developed a serious cocaine addiction. However, he did find the creative drive to make the highly regarded The Last Waltz, documenting the final concert by The Band. It was held at the Winterland Ballroom in San Francisco, and featured one of the most extensive lineups of prominent guest performers at a single concert, including Bob Dylan, Neil Young, Ringo Starr, Muddy Waters, Joni Mitchell, Van Morrison, Paul Butterfield, Neil Diamond, Ronnie Wood, and Eric Clapton. However, Scorsese's commitments to other projects delayed the release of the film until 1. Other works in 1. Another Scorsese- directed documentary, titled American Boy, also appeared in 1. Steven Prince, the cocky gun salesman who appeared in Taxi Driver. A period of wild partying followed, damaging the director's already fragile health. Scorsese also helped provide footage for the documentary Elvis on Tour. In 1. 97. 7, he directed the Broadway musical The Act, starring Liza Minnelli. Convinced that he would never make another movie, he poured his energies into making this violent biopic of middleweight boxing champion Jake La. Motta, calling it a Kamikaze method of film- making. De Niro won, as did Thelma Schoonmaker for editing, but Best Director went to Robert Redford for Ordinary People. From this work onwards, Scorsese's films are always labeled as . Raging Bull, filmed in high contrast black and white, is where Scorsese's style reached its zenith: Taxi Driver and New York, New York had used elements of expressionism to replicate psychological points of view, but here the style was taken to new extremes, employing extensive slow- motion, complex tracking shots, and extravagant distortion of perspective (for example, the size of boxing rings would change from fight to fight). It was rewritten several times by various writers including Jay Cocks (who went on to co- script later Scorsese films The Age of Innocence and Gangs of New York). The final draft was largely written by Scorsese and Robert De Niro. American sports film on their list of the top 1. In 1. 99. 7, the Institute ranked Raging Bull as the 2. AFI's 1. 00 Years.. Movies list. In 2. Raging Bull as the 4th greatest film of all time on their AFI's 1. Years.. 1. 00 Movies (1. Anniversary Edition) list. Scorsese's next project was his fifth collaboration with Robert De Niro, The King of Comedy (1. It is a satire on the world of media and celebrity, whose central character is a troubled loner who ironically becomes famous through a criminal act (kidnapping). Visually, it was far less kinetic than the style Scorsese had developed up until this point, often using a static camera and long takes. It still bore many of Scorsese's trademarks, however. The King of Comedy failed at the box office, but has become increasingly well regarded by critics in the years since its release. German director Wim Wenders numbered it among his 1. Filmed on an extremely low budget, on location, and at night in the So. Ho neighborhood of Manhattan, the film is a black comedy about one increasingly misfortunate night for a mild New York word processor (Griffin Dunne) and featured cameos by such disparate actors as Teri Garr and Cheech and Chong. Along with the 1. Michael Jackson music video . Although adhering to Scorsese's established style, The Color of Money was the director's first official foray into mainstream film- making. The film finally won actor Paul Newman an Oscar and gave Scorsese the clout to finally secure backing for a project that had been a longtime goal for him: The Last Temptation of Christ. In 1. 98. 3, Scorsese began work on a long- cherished personal project, The Last Temptation of Christ, based on the 1. English translation 1. Nikos Kazantzakis. Barbara Hershey recalls introducing Scorsese to the book while they were filming Boxcar Bertha. In this aborted 1. Aidan Quinn was cast as Jesus, and Sting was cast as Pontius Pilate. Based on Nikos Kazantzakis's controversial 1. Christ in human rather than divine terms. Even prior to its release the film caused a massive furor, worldwide protests against its blasphemy effectively turning a low budget independent movie into a media sensation. The director went on to receive his second nomination for a Best Director Academy Award (again unsuccessfully, this time losing to Barry Levinson for Rain Man). The Autobiography of Miss Jane Pittman. In February, 1. 96. Bayonne, Louisiana, a New York journalist arrives to interview Jane Pittman, who has just turned 1. She tells him her story dating back to her earliest memories before slavery ended, a long walk toward freedom, marriage to Joe Pittman, her adopted son Ned's work as an educator, helping to raise Jimmy, who returns as a civil rights worker, and her own decision to become involved in contemporary issues. In between the chapters of her life, the present- day struggles of Blacks in Bayonne, urged on by Jimmy, are dramatized.
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